EAT HERE NOW – ADELAIDE

By Jeff Miller
All photos (except where noted) courtesy of the South Australia Tourism Commission

While it may not have Sydney’s opera house or Melbourne’s stylish reputation, Adelaide, South Australia is a culinary hidden gem, thanks in no small part to its location: because of its temperate climate and seaside location, the city of 1.2 million’s bustling with fresh fish, farm-to-table veggies, and fine wine from the nearby Barossa and Clare Valleys, each of which is also blessed with a smattering of fine restaurants. Add to that a youthful population (colleges are the lifeblood of the city’s economy), and you’ve got a city that is exploding with an ever-expanding selection of dining destinations, plus a wealth of cultural worth, with museums dedicated to Australia’s unique aboriginal culture and long-standing art scene and old-school architecture that calls to mind the gorgeous facades of classic New Orleans.

Grub wise, in-town, the food scene’s dominated by the massive Central Market, a bustling mix of chef-friendly produce stalls and specialty stores, the success of which has spawned a mini-business of farmers markets selling everything from homemade spice jam to hand-caught fresh scallops.

Photo courtesy of The Grace

Restaurant-wise, modern-looking spots like the American-influenced The Grace – The Establishment (127 The Parade, Norwood; http://www.thegrace.net.au/home.html) a slick-looking tapas spot stacked with well-heeled ladies and slim-tied men, share space with more traditional dining experiences like the one at Chianti Classico (160 Hutt St; http://www.chianticlassico.com.au/), where a hearty seafood stew reigns supreme. Still, getting into the nearby wine country’s the way to be, with outdoor, among the vines-dining at Skillagolee (email for directions; http://www.skillogalee.com.au/) worth every moment of the drive there.

For even more picks in and around Adelaide and South Australia, we asked three experts:

Photo Courtesy of The Louise

The Restaurateur: Mark McNamara is one of South Australia’s most well-respected chefs; his award-winning restaurant, The Appellation, is located at the beautiful Louise Hotel in the Barossa wine region.

Ferment Asian: “Unlike most Vietnamese restaurants that have the same giant selection cookie cutter menus, “Ferment” has a tiny seasonal card and [the chef] cooks real food. For me it’s like dining with Vietnamese friends – it’s all cooked to order with passion and the flavours burst with freshness.
(90 Murray St, Tanuda) (http://www.fermentasian.com.au/)

Fino: “Simple, honest local ingredients cooked with great skill and passion and more than a little rural Italian influence with a menu that follow the season. The wine list is again short but very sharp with some amazing wines by the glass.” (8 Hill St, Willunga) (http://www.fino.net.au/)

The Wheatsheaf Hotel: “The Wheaty” has become the bar of choice for those that like to drink good beer, wine or whiskey (they have a pretty lineup in gin and rum as well) with at least 10 beers on tap including one on a hand pulled Read the full article here »

ROCKS STARS, PROFILES IN CUBAGE – TAD CARDUCCI

By David Ransom

There was a period when a prospective employer looking at Tad Carducci’s resume may have written “underachiever” in the margin. His father would probably have agreed…

Yet, delve a little deeper into Tad’s life, and one will see that, contrary to what seemed for some people to have been, at times, a relatively un-inspired chosen path, there’s an underlying brilliance and incredible work ethic that has launched him straight to the upper echelon of the cocktail world to join names like DeGroff, Reiner, Abou-Ganim, and Saunders.

But was this always the plan for Tad? Probably not; and he admits it. The oldest son of an attorney and social worker, Tad grew up in the suburban New York City town of Hackensack, New Jersey with dreams of becoming an actor (much to his father’s chagrin). He realized early that he had the gift of charm, and didn’t have to put much effort in to get by socially or in school. “Being the oldest, I got away with a lot of shit,” he says, “my siblings got away with nothing.” He admits, even now in his thirties, to still having a “healthy case of ADD,” and that he was “never the best student.” At one time, his father even threatened to send him to West Point so he’d “shape up.” But he also showed great intelligence early, getting accepted to Cornell Hotel School. Of course, he never went, eventually enrolling at Rutgers University to study his true love of acting.

That love of acting and performing has been a thread almost his entire career, popping up many times over the years. Sometimes, it’s ruled his direction, like the time he moved to Dublin, Ireland to play guitar in a band, and other times it’s just popped up briefly, like when he juggles, does magic tricks, or rides his unicycle. Yet, whether it’s been an undercurrent helping direct his life’s flow, or a full blown tsunami of energy, like when he acted Off-Broadway or did “flair bartending” (think Tom Cruise in Cocktail), that artistic streak has also helped Tad become that One in a Million success story in an industry populated largely by people who will never be recognized for their talent or work ethic.

Tad’s road to the top started like many others’, at the bottom. His first job in the hospitality business was as a busboy in a wedding hall. One day the bartender no-showed and Tad was thrown behind the service bar and taught to make the drinks for the waitstaff. He realized he liked it, and by the age of 20, after stints making pizzas and working at MacDonald’s (still an admitted guilty pleasure), was bartending full time.

When he left the ‘burbs for the big city to follow his dream of acting, like many others he paid the rent working in restaurants, sometimes behind the bar, sometimes not, but always enjoying what he did, and always doing well. As his enjoyment of the hospitality business grew, the acting bug lessened, and he moved full-time into restaurant work, eventually parlaying his growing love of wine into a job at Windows on the World as Assistant Cellar Master under Kevin Zraly and Andrea Immer-Robinson. While he eventually went back to bartending, it was not before he became a certified Sommelier by the Court of Master Sommeliers, and gained his Advanced Certification from the Wine and Spirits Education Trust (so, he CAN study…).

“My strength in this business is hospitality,” Tad says, “and welcoming, entertaining, and Read the full article here »

DON’T MISS – MOZO

The gift that just keeps giving
By Francine Cohen

This holiday season there are plenty of gifts exchanged; some awful that you can’t re-gift them fast enough, and others so perfect only you could have picked them out yourself.

MOZO shoes are that one gift you’ll be glad you gave yourself; so stylish and comfy that nobody else (but another chef/bartender/server/manager) would understand the bliss you feel knowing you’ve stopped the pain in your back and your feet before it even had a chance to flare up.

MOZO brand President, Stuart Jenkins, explains why his team of shoe designers and engineers from the Deckers Outdoors (www.deckers.com – the parent company who also brought us TEVA and UGG) partnered with chefs Chris Consentino, Macus Samuelsson, and Aaron Sanchez to design these new shoes for those who spend their working hours in the back and front of house. He says, “Why is it that someone should be spending 8-10 hours a day on their feet without having the benefits of comfort and sustainability of comfort? We would like to think we can make any 8 hour shift better than it has been in the past.”

He continues, “Our shoes feature The Uniframe design which includes MOZO’s trademark gel insoles and slip-resistant outsoles, as well as side vents that aid in moisture and heat management. MOZO offers durability in cushioning, traction, support and craftsmanship and has certified slip-resistant outsoles through a unique Spider Traction™ compound. The exclusive TripleFit System™ lets users customize the volume inside their shoe by a half size, larger or smaller. The one thing this line of product brings to the industry is that they are extremely light weight while offering proper cushioning and insoles and construction. MOZO gets people out of sneakers and puts them into traction for safety.”

With the intent of creating shoes that are made to mold to the foot and let it breathe, a critical element during active and lengthy shifts, Jenkins and his team set out to make a shoe that is not only functional but also fashionable and fits the lifestyle. He explains why, “When I watched through the trade shows and looked at the shoe exhibits I saw what people were making and you had two choices, black or white. It seemed to me that the product the shoe industry was offering was out of touch and there was a huge misstep between the market and the products it was being offered. There was no real choice, no sense of performance, no artisanship, no inventiveness. Yet when you talk to the chefs and observe their culinary style you realize that they are athletes, creators, and perfomers, and they do all this under tremendous pressure.”

Chris Consentino of Incanto (www.incanto.biz), Boccalone (www.boccalone.com) and Offal Good (www.offalgood.com) knows a little something about pressure Read the full article here »

DON’T MISS – FERRAND 1840

By Seánan Forbes

A product of passion, tradition and collaboration, Pierre Ferrand’s new-old Cognac – the 1840 – is built for industry.

More and more, bars and restaurants take pride in serving classic cocktails. That requires pouring the right spirit in the glass. As Ferrand Vice President Guilaume Lamy observes, “Cognac was the base for mixing in the nineteenth century.”

It pays to know your history. These days, customers do – and they expect the highest quality ingredients from the bar as well as the kitchen, with respect for source and tradition.

So it was a perfect time for Ferrand to dip into the past and reproduce a period cognac. For Ferrand, Lamy says, “this is a historical thing to do: to reconstruct a cognac that was drunk back in 1840.”

Alexandre Gabriel, Ferrand’s owner, didn’t work alone. In a different kind of spirit – one of international creativity – he invited a friend, American author-historian David Wondrich, to join the project. Wondrich remembers the call. Gabriel said, “I’ve got this project you might be interested in . . .” Bringing history alive? There’s not a drop of doubt.

According to Lamy, Wondrich’s input was vital. “Alexandre is very knowledgeable about taste. For history, David is Read the full article here »

BRAIN FOOD: MILK AND COOKIES: 89 Heirloom Recipes from New York’s Milk & Cookies Bakery

By Victoria Ruvolo

As we head from Thanksgiving, our nation’s most food-centric holiday, towards Christmas and Hanukkah, the annual drive to both bake and consume large quantities of pies, cakes, cookies and candies that evoke joyful childhood memories is once again upon us. It’s this time of year, more than any it seems, that industry professionals from chefs to caterers are called upon by their clients and guest to create the warming, holiday inspired baked goods we all remember enjoying as when we were young and carefree.

Need a little help getting your recipe portfolio together this year? Milk & Cookies: 89 Heirloom Recipes from New York’s Milk & Cookies Bakery is it. Written by French Culinary Institute graduate and successful bakery owner, Tina Casaceli. Casaceli is the genius behind the now famous Greenwich Village bakery Milk & Cookies which opened in 2006.

For anyone who has never been, Milk & Cookies is the type of bakery that excels at bringing your childhood favorites spiraling back into your daily life. It’s everything you could ever want in a local cookie bakery, down to the sweet smells of vanilla, sugar, and butter wafting from the door.

Milk & Cookies the book has everything you could ever want in a cookie book. It’s filled to the brim with easy, straightforward recipes paired with beautiful photographs of mouthwatering cookies in every flavor. The recipes are simply organized by base, making it easy for any reader to find their particular favorites.

Putting pretty pictures and delicious recipes aside, most of us in the food industry have baked a plate of cookies before so why should we read Milk & Cookies? Easy; Casaceli gives her reader more than just recipes,she gives them Read the full article here »

ROCKS STARS – KIT CODIK

LIQUOR LIBERATED
Liquor.com Founder Introduces Millions of Readers to Better Drinking
By Francine Cohen

It’s a good thing that in his 1922 poem The Wasteland TS Eliot referred to April as the cruelest month; because if he had written “November is the cruelest month” he would have confounded the next generation’s sociologists as they look back into culinary history to pinpoint the moments when Americans suddenly became food and drink obsessed and embraced terms like “foodie” and “cocktailian.”

Why confusing to call November cruel? Because if one tracks factoids about the hospitality industry’s history and progress then they know that November is a monumental month worth heralding. It’s in this month that the two media launches which entirely changed the face of how modern day Americans find pleasure in food and drink, and how they interact with chefs, farmers, purveyors and bartenders, happened; in November 1993 we saw the first Food Network broadcast (then called Television Food Network) and November 2009 marks the date the month that Liquor.com launched, opening up a whole new world for spirits aficionados.

In our book, there’s nothing cruel about any of that. In fact, it’s quite the opposite. There’s great reason to celebrate the immediate embrace of Liquor.com’s content and the site’s rapid growth to over 100,000 email subscribers since launch (not to mention hundreds of thousands of Facebook fans and strong partnerships with other media outlets such as Huffington Post that drives the number up to touching 1-3 million consumers per month); it all has proven to be a boon for the entire hospitality industry. And, though the food revolution has been going on for a while, it took the introduction of a spirited website to drive that passion for good drinks and quality alcohol to the forefront.

Funny that the website which makes better spirit knowledge accessible all started over a late night beer. But then again, great ideas often do. Liquor.com founder Kit Codik explains how he arrived on the scene and unknowingly changed the face of drinks appreciation, “I went to Tales (www.talesofthecocktail.com>) two years ago before I started Liquor.com – I didn’t know anyone. All I was there to do was to learn the industry. I met Noah [Rothbaum – current Editor of Liquor.com] there and we had an Abita (www.abita.com) in a plastic cup at Absinthe House from 5-6.”

At the time that Codik and Rothbaum were bonding over Abita Liquor.com didn’t yet exist. This past year Liquor.com was the festival’s largest media sponsor, but back then, over that beer, Codik was in New Orleans strictly on a research mission to see what was percolating in the spirits industry and determine how he could tap into it in a way that opened up the marketplace to consumers in a consolidated and compelling way they’d never seen before while exposing brands to potential new consumers.

The serial (and successful) entrepreneur came to the cocktail festival with a name in mind for his website and realized he needed to do more research into the booze business. Codik admits that his approach to building Liquor.com is not the traditional way to get a business off the ground. But it seems to be working just fine. He comments, “In 2008 I was scratching my head and wondering why when it is an industry generating $60 billion at retail and $20 billion at wholesale, the brands’ digital advertising spends were only 1 to 3% of their marketing budgets versus the 10 to 12% that other categories were already spending on digital marketing.”

He continues, “You don’t normally do this, but I actually built this backwards with a name. Usually you start with a market problem or opportunity and that seeds the project. Instead we started with a name and determined whether there was an opportunity to build the tremendous brand without a capital outlay. It was a tough time to raise capital, but I had been in the start-up world for a long time and had enough people in my network and it went from there. My business partner and I met the guy who owned the domain name. He pitched us to work with him on a different business plan and, while we loved the name and loved the guy, we didn’t love the plan. So we went our separate ways. He called us again later and ended up saying he’d take $4.5 million for the domain name. Candy.com had just sold for $3 million and Toys.com had just sold $5 million. We knew the domain is valuable and it’s a huge industry so we said to him ‘you give us the domain and you’ll get a seat on the board, and equity, and we’ll set a finite timeline to research the industry.’”

This arrangement worked. And, despite Codik’s admitting he was more of a wine drinker than a spirits guy prior to the launch of Liquor.com and had no real knowledge of the industry at the time he undertook this venture, Codik took to it quickly and intensely. He says, “It’s funny how things come together. I’m so passionate about building the business and, while I think about Liquor.com as a digital business, fundamentally we’re in the spirits industry. It permeates everything we do and I’m very passionate about it. I feel like I found my home.”

His home was centered on a vision that he explains as this, “Let’s build an email centric business that has a highly targeted audience.” Codik envisioned a site that was both approachable and authoritative. To that end he created a “dream team” board of industry advisors Read the full article here »

ROCKS STARS – TITO BEVERIDGE

Bert “Tito” Beveridge
By David Ransom

Ask for a vodka in Austin Texas, and invariably you’ll be asked the question, “you want OUR vodka or one from somewhere else?” That question says a lot about Texas, a proud and independent state, and if John McCain hasn’t ruined the term for the rest of us, the place where the word maverick was coined. One of the state’s true mavericks is a laid-back Texas native named Bert “Tito” Beveridge, a former geologist in the oil industry who ditched it all to follow his dream; and that vodka, “our” vodka as they say in Austin, is Tito’s.

Growing up in San Antonio, having a vodka bottle with his name on it was probably the last thing on Tito’s mind. While his interests certainly leaned towards the scientific, distilling is, after all, a science as well as an art, Tito’s original goal in life was to become a doctor. And it was with that in mind that Tito excelled in all things science related in school, eventually enrolling as a pre-med student at Vanderbilt University. However, like so many students, his focus changed as he went through college, and he ended up realizing that his true talent lay in the science of the earth, not the body. So tissue-covered slides and dissecting fetal pigs gave way to seismology and geology, and upon graduation, and armed with his degree, he returned to Texas, Houston to be exact, and entered the oil industry as a seismic data processor for a major oil company.

That time, the 1980’s, was a boom-time for the oil industry, with Texas-based companies expanding into countries all over the world. Tito did well also, eventually getting coveted contracts to work throughout the global oil fields and spending large blocks of time in countries like Venezuela and Columbia doing those things that energy geophysicists do, like sub-surface mapping and dynamite-blasting oil reserves.

However, he also had that classic Texas streak of independence running through his veins, and after a few years on the road, he tired of it and returned to his home state, settling in a town called Alvin; a place he calls “a hotbed of KKK activity” where he was actually invited to Klan meetings (which he politely declined).

It was in Alvin that he hung out his own shingle, becoming a wildcatter (an independent oilman, for those of you who haven’t seen the classic James Dean/Rock Hudson/Elizabeth Taylor movie, Giant) and starting his own drilling company. While drilling was a good way to make a living, he didn’t love it, and soon was back on the road again, eventually ending up in Austin working on environmental projects and finally, once he’d had enough of the Oil business for good, as a mortgage broker.

But going from blowing up mountains to moving mountains of paperwork, also seemed unappealing after awhile, and by the early 1990’s, Tito, who by that time had started infusing bottles of store-bought vodka and giving it to friends in his spare time, was at a crossroads, wondering what made him happy, and what to do with his life that would have meaning. So, after a quick trip to the backside of Maui, where he spent four days camping at the Seven Sacred Pools, reflecting on, to quote the great author Douglas Adams, “Life, The Universe, and Everything” (RIP Douglas, I had to do it…), Tito returned to Austin, and, after attending a keg party where someone recognized him as “that vodka guy” while he was filling his cup at the tap, returned home that evening thinking that maybe he should look into the spirits industry.

As fate would have it, late that night on television, he saw a program featuring some Tony Roberts type guy, who said the following words, “If you want to find your dream job, find your passion. Then sit down with a pen and paper, draw a line down the middle of the page, and on the left make a list everything you love to do, then on the right, write down what you are good at doing. Once you’ve done that, find what you’re best suited for, and make it happen.” Well, Tito grabbed a pen and paper and did just that…why not? He’d just come home from a keg party, and it was the middle of the night? No harm, right? Read the full article here »

BRAIN FOOD: LUSH LIFE, PORTRAITS FROM THE BAR SERIES 2

Lush Life, Portraits from the Bar, Series 2 by Jill Degroff
Story by Sara Gorelick

Lush Life, Portraits from the Bar, has released its second installation of the series, and saloon artist Jill Degroff has done it again; this volume is as captivating as the first.

Lush Life looks at the heart and soul of the industry; the people who make it possible. Degroff’s pages catalog stories from the bar illuminated with sketches bearing a stunning resemblance of the movers, shakers and stirrers the spirits industry has come to know and love. Though you’ve heard their names, communicated with them via email, Skype, or Facebook, and may have been fortunate at one point or another to be seated at their bar its possible you don’t know their backstory and what it took to get them there. Curious? Well, Degroff’s book is the perfect jumping off point.

The book gives you the opportunity to glimpse friends and colleagues through an artist’s eye. The sketches are expertly detailed, catching the expressions that come to mind when we think of the characters we know and love or simply admired from afar. Degroff gives you the ability to throw away any stigmas or preconceived notions about the attentive and often attractive bartender – it is no holds barred from the first story.

The tales on these pages are a reminder of the intricacies of a job which is so much more than mixing booze and slinging shots. Personal stories will cause you to reflect on your own experiences and feel the camaraderie we have all come to know and love. The purpose of the Lush Life collection is strong for Degroff, who knows that it is so important to find time to set it all aside and truly connect with the moment and the person beside you. She says, “The experience of gathering stories for the second edition drove home the lesson that the stories are getting lost now, the art of storytelling is disappearing, with everyone now leading very hectic lives, continuous multitasking and into their gadgets.”

Using no gadget more high tech than a pen or paintbrush, Degroff’s artwork is impeccable; catching features in a most observant way, exaggerating the prominent features while picking up on the slight nuances of a smile or the crease of a forehead. “She works in a three dimensional way, one for the hardest things to work in perspective,” said artist, teacher and art therapist Rosemary Kreder. “You can tell Degroff is a happy person by her drawings and you’d recognize her work. She carries forth a strong gimmick and her pictures make you feel good…this is what art is all about.”

Degroff had limited formal training, and drawing caricatures is a passion she developed after years of doodling in bars and eventually acquired the knack for nailing people. She explains, “I lived in many edgy neighborhoods with bizarre characters. My lower east side tenement featured Read the full article here »